Dalla fotografia digitale al modello 3D dell’architettura storica

Sandro Parrinello; Francesca Picchio

doi:10.6092/issn.1828-5961/3870

Authors

Sandro Parrinello Università di Pavia
Achitect and researcher at the Department of Civil Engineering and Architecture, University of Pavia and European PhD in Science of Surveying and Representation of Architecture and Environment is coordinaore Scientific Laboratory of the Joint Landscape Survey & Design and a visiting professor technological University of Perm (RU).
Francesca Picchio Università di Firenze
Architect and PhD student at the University of Florence in Science of Surveying and Representation of Architecture and Landscape. He conducts research in the international area by participating in European projects in Finland and Russia an interest in the development of methodologies for the representation of the urban landscape.

DOI:

https://doi.org/10.6092/issn.1828-5961/3870

Keywords:

integrate survey, reality based 3d model, 3D model accuracy.

Abstract

The Structure from motion procedures have, in recent years, refined to the point of an interesting data acquisition system, also in response to needs for reliable documentation of the different architectural contexts. Experiments concerning the development of its integrated survey of alternative methodologies have led to interesting results concerning methodological protocols to check the reliability of these processes of architectural significance through photography, and lay the foundations for further developments relating to connections that certain models can to generate knowledge, documentation and enhancement of historic architecture.

References

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Rodriguez-Navarro, Pablo (2012), Automated Digital Photogrammetry versus the systems based on active 3D sensors. La Fotogrametría Digital Automatizada frente a los sistemas basados en sensores 3D activos, in EGA, 17(20), pp. 100-111

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Tomasi Carlo, Kanade Takeo, (1991), Shape and motion from image streams: a factorization method. Computer Science Department, Paper 204.

From digital photography to the 3D model of the historical architecture

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