Digital Photography and Cinema

Authors

  • Alberto Sdegno Università di Trieste

DOI:

https://doi.org/10.6092/issn.1828-5961/3881

Keywords:

cinematography, special effects, digital image processing, representation, video editing

Abstract

In some significant film productions of the last thirty years photography play an innovative role, not only from a technical point of view, but also regarding the plot of the movie. The examples described in the text - from Blade Runner to the recent Inception - may allow a better understanding of the way in which the technology of image processing has altered the perception of film sequences, also helping to transform the opinions on this new way of work by artists usually adopting traditional practices, such as Wim Wenders. His film, Until the end of the world, in fact, appears as an episode particularly eloquent in the filmography of the artist, which testifies a change in the definition of the working method.

References

Albrecht, Donald (1986), Designing Dreams. Modern Architecture in the Movies, Thames and Hudson, London.

Cairns, Graham (2007), El arquitecto detrás de la cámara. La vision especial del cine, Abada, Madrid.

Debevec, Paul E. (1996), Modeling and Rendering Architecture from Photograps, PhD Thesis, University of California, Berkeley.

Dick, Philip K. (1968), Do Androids Dreams of Electric Sheeps?, Doubleday, New York.

Mitchell, William J. (1992), The Reconfigured Eye. Visual Truth in the post-photographic Era, The MIT Press, Cambridge, Mass.

Rondolino, Gianni (2006), Storia del cinema, vol. 2, Utet, Torino.

Roy Menarini, Roy (2000), Ridley Scott Blade Runner, Lindau, Torino.

Sdegno, Alberto (2013), Form Follows Fiction. La rappresentazione delle “everytowns” nella cinematografia visionaria, in AAVV, Atopie, Artegrafica, Roma, pp. 102-114.

Wenders, Wim (1993), Electronic Paintings, Socrates, Roma.

Wenders, Wim, (1992), L’atto di vedere. The Act of Seeing, Ubulibri, Milano.

Published

2013-10-01

How to Cite

Sdegno, A. (2013). Digital Photography and Cinema. DISEGNARECON, 6(12), XXII / 1–6. https://doi.org/10.6092/issn.1828-5961/3881